![]() If you don't want to hassle with that, that means picking from one of the ones from spots 6 through 12. If you're just starting out or don't want to specialize as a colorist these make a lot of sense.īut being plugins you may run into issues if you hand off a project to another person as the plugin will need to be installed on the other person's system. If they have a free trial we recommend trying the software out first. Your choice may also depend on limitations like which operating systems and editing softwares that are supported. Spots 1 through 5 are plugins that offer tools and layouts more intuitive or easier to use than the ones that are built into your editing software. It’s a lot to chew on right? So let’s take it a step further to help you narrow it down to just one. It is designed to guide you every step of the way.Īnd those are the 12 best and most popular color grading software tools that are out there. That means all the guesswork is taken out of what corrections to do first, how to match shots, how to save time by applying the same look grades to multiple clips at a time. ![]() But the biggest advantage of Cinema Grade is its guided workflow. It also has Lightroom style controls for those who come from a photography background, false color mode for getting the perfect exposure, easy color matching, real time previews of LUTs, support for the Xrite color checker chart for doing automatic corrections and a color transfer tool for matching the look of your favorite films. You are able to click directly on anything in the viewer you want to change like the exposure of an area or the color of the sky and just drag up or down to change it. Plus it ditches the old school tools like curves and wheels in favor of direct on-screen grading. Cinema Grade is a color grading plugin that works with 3 of the most popular editing softwares out there: Adobe Premiere, Final Cut Pro and DaVinci Resolve. If ease of use is the name of the game look no further. The 12 Best Color Grading Software for Beginners That’s why we’ve created a list of the best color grading software currently available, taking a look at their features, strengths, weaknesses and ease of use. That's why it's important to find the right tool for your time and budget that will let you produce professional looking video without having to spend years learning the ins and outs of the trade. ![]() The problem is color grading can have a steep learning curve and the tools aren't always the most intuitive. that's a bit of a mess to work.The challenge for beginning filmmakers is how to achieve these different kinds of corrections and color grading to help them tell powerful stories. But if you've got a couple hundred clips, with a lot of cuts. Which can work if there's not that many clips. export the EDL, and copy all the original files to a folder, with the mp4 and EDL also in there.Įxport the sequence to mp4 as above, and copy the original files to the same folder. navigating to the replacement clips from the colorist.Įxport the 'reference' H.264.mp4 file of the flattened sequence, again, without graphics. ![]() which you then use.īy: selecting all the used clips in the project panel, "offline", then Locate. They do their work, export out replacement clips. That way the colorist can take the media, the EDL, and the reference mp4, put the reference on V2, use the EDL to put the clips on V1, and check between V1 and reference on V2 to make sure they have everything properly conformed. With the sequence selected, File/Export/EDL.Ĭheck with the colorist, but you'll probably want original file names (unless you gave them a different name in Premiere), Include Transitions. Send those files, the flattened mp4/H.264 file of the sequence, and an EDL to the colorist. Perhaps enough for a full second each side of the cut. Found in the Quicktime "Format" option.Ĭheck to include handles, so you cover any transitions that wipe between frames. and do a render & replace to something like ProRes422 or if you've got "really big good files" to begin with, ProRes444. Select all on a flattened timeline, excluding graphics! . sending either the bits & pieces used, or complete files.
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